DOMUS

DOMUS N. 1001 April 2016

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Description

  • TITLE
  • Editorial, Domus, hurrah
  • CONFETTI
  • The stolen image
  • The beginning of design
  • School of Design, The Royal Danish Academy of Fine Arts, Copenhagen
  • Design meets materials
  • Around the table
  • From chair to chair: Remo
  • Brazilian design: a native flavour
  • Urban waking dreams
  • Gabriele Basilico: landscape in movement
  • The invention of territory
  • Design as a mix of culture and industry
  • PROJECTS
  • The Nadir Afonso Foundation in Chaves, Portugal
  • The Supreme Court of The Netherlands, The Hague
  • The Dalton House, Kenya
  • Vacation house for an artist, Parre
  • Forniture by Pino Pizzigoni
  • Design icons in movies
  • Objects versus icons or when does an object become an icon?
  • In search of a global project
  • FEEDBACK
  • Alessandro Mendini's Milano
  • ELZEVIRO
  • The multiple image
  • RASSEGNA
  • Colour
  • Contributors
  • ARCH AND ART
  • Domus, la città dell'uomo
  • TITLE
  • Editorial, Domus, hurrah
  • CONFETTI
  • The stolen image
  • The beginning of design
  • School of Design, The Royal Danish Academy of Fine Arts, Copenhagen
  • Design meets materials
  • Around the table
  • From chair to chair: Remo
  • Brazilian design: a native flavour
  • Urban waking dreams
  • Gabriele Basilico: landscape in movement
  • The invention of territory
  • Design as a mix of culture and industry
  • PROJECTS
  • The Nadir Afonso Foundation in Chaves, Portugal
  • The Supreme Court of The Netherlands, The Hague
  • The Dalton House, Kenya
  • Vacation house for an artist, Parre
  • Forniture by Pino Pizzigoni
  • Design icons in movies
  • Objects versus icons or when does an object become an icon?
  • In search of a global project
  • FEEDBACK
  • Alessandro Mendini's Milano
  • ELZEVIRO
  • The multiple image
  • RASSEGNA
  • Colour
  • Contributors
  • ARCH AND ART
  • Domus, la città dell'uomo